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In this new addition to the Oxford Textual Perspectives series, Stephen Orgel considers the idea of the book not simply as a container for written work, but as an essential element in its creation.

In this new addition to the Oxford Textual Perspectives series, Stephen Orgel considers the idea of the book not simply as a container for written work, but as an essential element in its creation.

In his own time, Shakespeare was not a monument, but a man of the theater whose plays were less finished artifacts than works in process. In contrast to a book, a thing we have come to think of as final and achieved, a play is a work for performance, with each performance based only in part on a text we call a script. That script may well have had imperfections that the actors may or may not have noticed as they turned it into a performance. T...

As England entered the Renaissance and as humanism, with its focus on classical literature and philosophy, informed the educational system, English intellectuals engaged in a concerted effort to remake the culture, language, manners—indeed, the whole national style—through adapting the classics. But how could English literature, art, and culture, become "classical, " not only in imitating the ancients, but in the sense subsequently applied to ...

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Why did Queen Elizabeth I compare herself with her disastrous ancestor Richard II? Why would Ben Jonson transform Queen Anne and her ladies into Amazons as entertainment for the pacifist King James? This title includes essays that deal with Shakespeare, Jonson and Milton, with Renaissance magic and Renaissance costume.

The Reader in the Book examines the history, archaeology, and sociology of the use of margins and other blank spaces in early modern books to shed light on reading practices, how books were read, and what early modern readerse wanted texts to tell them.

Why did Queen Elizabeth I compare herself with her disastrous ancestor Richard II? Why would Ben Jonson transform Queen Anne and her ladies into Amazons as entertainment for the pacifist King James? How do the concepts of costume as high fashion and as self-fashioning, as disguise and as the very essence of theatre, relate to one other? How do portraits of poets help create the author that readers want, and why should books, the embodiment of ...

The Reader in the Book examines the history, archaeology, and sociology of the use of margins and other blank spaces in early modern books to shed light on reading practices, how books were read, and what early modern readerse wanted texts to tell them.

Why was England the only country in Europe to maintain an all-male public theatre in the Renaissance? Stephen Orgel uses this question as the starting point of a fresh and stimulating exploration of the representation of gender in Elizabethan drama and society. Why were boys used to play female roles in drama, and how did such cross-dressing impact on the plays of Shakespeare and his contemporaries? What was the place of women in the Renaissan...

In this lavishly illustrated book, one of the most important and influential scholars of the Renaissance stage brings together essays that have changed the way we think about the age of Shakespeare. His subjects are varied and interconnected: the theater as social phenomenon, the development of the stage as an architectural presence and a cultural institution, the changing use of setting and costume, the changing status of the acting professio...